Thanh CHuong - Mỹ Thuật Việt Nam

Tiểu sử nghệ sĩ

Bộ sưu tập tác phẩm

Moonlight Night II

Mid-Autumn Festival

Independence Day

Mother and Daughters

Spring Day

Summer Night

Raising Buffalo

Cozy House

Nude

New Day

Loving Family

Happy Family

Lovers

Self Portrait

Moonlight Night

Full Moon

Self Portrait

Shelter

Five Children with a White Buffalo

Moonlight Night

Sweet Hug

Mid-Autumn Festival

Song of Buffalo Children

Full Moon Night

Moon’s Shadow

Memory

Triển lãm tiêu biểu

In the early 1990s, the reputable artists at the time were considered the Golden Generation of Vietnam’s Contemporary Arts. However, few people knew that the 1980s generation of artists laid the foundation for Doi Moi Arts in terms of cultural perspective, ideology, and aesthetic sense for the artworks. Thanh Chuong is one of these artists whose artistic story is still topical today.
Thanh Chuong (b.1949) began painting at the age of seven and entered the Fine Arts College in 1960. During the war, he served as an engineer, and when the war ended Chuong started working for the Literature & Art Weekly Magazine in Vietnam. His paintings are most often executed as lacquer on board, or sometimes as oil on canvas or pastel on paper. The bright-colored works are clearly inspired by cubism and Picasso’s paintings in particular. Some of his paintings have been chosen to be printed both as UNICEF cards as well as stamps. He has participated in several solo and group exhibitions, both in Vietnam and abroad. Exhibitions abroad were held in Czechoslovakia (1974), China (1994), Hong Kong (1994, 1997), Britain (1995, 2001), Denmark (1995), Japan (1995, 1997, 1999), Korea (1996, 1999), Singapore (1997), Netherlands (1997), Germany (1998), and USA (1998, 2001).
1949: Born in Bacninh Province, Vietnam. Began painting at the age of 7 (with his work Alubber Cork, won the gold prize in a painting competition for international children)
1960: entered Ha Noi Fine Art College.
1966: joined the Army, in military engineering force, participated in battlefields of Central Part, Laos, Central Highland
1974: worked as a painter for Thong Nhat Journal
1975: worked as the main painter for Van Nghe Weekly (The Weekly Journal of Art and Literature- The Writers Association of Viet Nam)
2010-2014: Worked at Vietnam Fine Arts Association.
Executive of the Vietnam Fine Art Association.
President of Art committee of drawing speciality.
Head of Centre inspection of Vietnam Fine Arts Association.
Executive of National Art Committee.
2001: Prize Award from the United Nations, one of the six International artists to be chosen for International Stamp
1994: 2nd Class prize of National Graphics at The Vietnam Plastic Artist Association.
1984: Award the 1st prize for illustrations by Van Nghe the Literature and Art Magazine.
1980: Award 1st Class prize for illustrations by Van Nghe in the Literature and Art Magazine.
1974: Prize of International Graphics in Czechoslovakia.
1973: 3rd Class Prize of Hanoi Fine Arts Exhibition.
2016:Exhibition “People – paintings on old newspaper”
2015:Exhibition “A Voyage”, Berlin, Germany
2015: Group exhibition “Gems of Vietnam”, London by Hanoi Art House UK
2012: Exhibition of “Vietnam-India Fine Arts”, Vietnam
2012 – 2014: Solo exhibitions in “Thanh Chuong Viet Palace”.
2011: Exhibition of “Vietnam Scenery and Spirit”, Korea
2009 – 2010: Participate in various exhibitions in Vietnam and overseas.
2008: Exhibition in Hanoi Fine Art Museum
2007: “Good morning Vietnam, Good morning Korea “Art Exhibition – Samsung Cultural Exchange Centre, Seoul Korea
2006: Solo Exhibition – consulate of Vietnam, San Fransisco, USA
Group Exhibition – Victoriano Palazo, Rome, Italia
Completed his biggest artwork – an installation, a live museum named “Thanh Chuong Viet Nam’s Art Soul”

Tĩnh vật – Góc nhìn bình dị nhưng thấm thía

Thể loại tĩnh vật vốn xuất phát từ phương Tây, với những bình hoa, quả, bát đĩa được bố cục khoa học, chú trọng ánh sáng và chất liệu. Khi vào Việt Nam, các họa sĩ đã “Việt hóa” nó bằng cách thay thế những vật dụng phương Tây bằng phích nước, mẹt trầu, cau, bát gốm Bát Tràng, hay đơn giản là một bình tranh hoa sen, một mâm ngũ quả. Chính sự giản dị ấy đã làm nên sức hút riêng. Xem tranh tĩnh vật Việt Nam, người xem không chỉ thấy cái đẹp về bố cục mà còn thấy cả hơi thở cuộc sống thường ngày, thấy nét duyên thầm của văn hóa Á Đông. Tham khảo thêm bộ sưu tập tranh hoa nghệ thuật để mang vẻ đẹp ấy vào không gian sống.