Ly Tran Quynh Giang - Mỹ Thuật Việt Nam

Tiểu sử nghệ sĩ

Bộ sưu tập tác phẩm

Sea at Night II

Sea at Night I

Winter Day III

Winter Day II

Winter Day I

Winter Night

Winter Afternoon

Where They Turn To

The Portrait

Winter Day

Portrait II

Portrait III

Portrait IV

Sleeping

In The Shower

Cigarettes

In the Corner

Thoughts

Portrait

Eyes

Triển lãm tiêu biểu

In her pandora box of arts, Ly Tran Quynh Giang (1978) encapsulates the gamut of human feelings and the internal world. Once the viewers gaze into her work, they can no longer escape. A fragment of them is merged into the elusive immensity of the melancholy of her subjects, an unutterable sadness with no beginning nor end. The inmost loneliness and poignancy strike deep and each time has a sui generis character, a different color. Giang is bold and yet retrospective. She invites the audience into a world that is still, awash, and curious– where one stands alone and stares into one’s own reflections to contemplate on her existence and being.
One of the most prominent female contemporary artists of Vietnam, Giang graduated from Hanoi Fine Arts University in 2002 and was the first recipient of the Vietnam Foundation for Art’s Individual Award in 2008 and winner of the Bright Young Eyes competition organized by the French Embassy and the Vietnamese Fine Art Association. She considers herself to be under the influence of Edward Munch in that the artist dissects her own internal turmoil and the most private feelings, emotions, and spaces. Best known for her oil paintings and wood-cut panels, her individuality is a rare gem in the Vietnamese contemporary art world. She depicts the suffering, struggles, and torment of human lives on earth, harried by illness and the blurry boundary between life and death, and the desire for freedom. Going beyond haunting portraits of human subjects, Giang also channels the afflictions of mankind through animals. The intriguing presence of owls, bees, and fish in her work sometimes embodies an escape from this earthly world into another cosmos.
Giang’s important exhibitions include Where They Turn To (2014), Hey Are You Sick (2010), The Solitary World of Ly Tran Quynh Giang (2010), Giang (2007), and Tropical Zone (2002). Her works have been exhibited in different countries, including Italy, England, USA, Singapore, China and Malaysia.
2004: Awarded First Prize in the Young Artists Competition, organized by the French Embassy and the Vietnamese Fine Art Association. The prize included 3 months of study in Paris at L’Ecole Nationale Superieure des Beaux-Arts.
2014: Where they turn to, CUC Gallery, Hanoi, Vietnam
2010: Hey, are you sick, recent paintings, Hanoi, Vietnam
2010: The Solitary World of Ly Tran Quynh Giang, recent woodcuts, Hanoi, Vietnam
2007: Giang, woodcut exhibition, L’Espace French Cultural Center, Hanoi, Vietnam
2002: Tropical Zone, Hanoi, Vietnam
2024: “A Glympse of Vietnam” by Thang Long Art Gallery at Bonham London
2018: Art Expo Malaysia Plus, Kuala Lumpur, Malaysia
Art Stage Singapore, Singapore
2017: Rekindling Lacquer: Vietnamese Modern Painting in Shanghai Collections, China Art Museum, Shanghai
Personal Structures, European Cultural Center and GAA Foundation, Venice, Italy
Art Stage Singapore, Singapore.
2016: Open, Vietnam Fine Art Museum, Hanoi
Organized by the Vietnam Ministry of Culture, Tourism, and Sport to highlight and appraise Vietnam’s achievements after “Doi moi” period for 30 years (1986-2016)
2015: START art fair 2015, CUC Gallery, London, UK
Art Stage Singapore, CUC Gallery, Singapore
2014: Vietnamese Contemporary Art Presentation, Start Art Fair, London, UK
Vietnamese Contemporary Art Presentation, Art Stage Singapore, Singapore
2012: DAWN, CUC Gallery, Hanoi, Vietnam
2011: 1, 2, 3, 4, 5, 6, 7, 8, Vietnam
2009: Hanoi: Where We Are Now, Hanoi, Vietnam
2007-2008: Changing Identity: Recent Works by Women Artists from Vietnam, curated by Nora A. Taylor, Kennesaw State University Art Gallery, Kennesaw, Georgia; Trammell & Margaret Crow Collection of Asian Art, Dallas, Texas; Stedman Art Gallery, Rutgers University, Camden, New Jersey; Utah Museum of Fine Arts, Salt Lake City; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, USA
Five Changing Identities: Vietnamese Women of Today, Fielding Lecht Gallery, Austin, Texas, USA
2004: Bright Young Eyes, annual exhibition organised by the French Embassy and the Vietnamese Fine Arts Association, Hanoi Contemporary Art Center, Hanoi, Vietnam
2002: Bright Young Eyes, annual exhibition organised by the French Embassy and the Vietnamese Fine Arts Association, Hanoi Contemporary Art Center, Hanoi, Vietnam
2001: Hanoi Contemporary Art Center, Hanoi, Vietnam

Wabi Sabi – Vẻ đẹp của không hoàn hảo trong mỹ thuật Việt

Wabi Sabi là một khái niệm thẩm mỹ của Nhật Bản, tôn vinh vẻ đẹp của sự không hoàn hảo, tạm bợ, mộc mạc và giản dị. Triết lý này đã ảnh hưởng sâu sắc đến nhiều họa sĩ Việt Nam, đặc biệt là trong thế hệ trẻ, những người đang tìm kiếm một lối thoát khỏi sự ồn ào, hào nhoáng của cuộc sống hiện đại. Một bức tranh wabi sabi thường có màu sắc nhẹ nhàng, trầm ấm, bố cục tối giản, để lại nhiều khoảng trống cho người xem tự suy ngẫm. Đó là một cách chữa lành tâm hồn qua nghệ thuật. Nếu bạn yêu thích phong cách đặc biệt này, xem bộ sưu tập tranh wabi sabi tại đây để tìm cảm hứng cho không gian sống.